The Veto Heard Next Door
With “special thanks” to New Jersey Governor Chris Christie for the inspiration
and real thanks to Max Richter for the motivational sounds.
In the darkness, the audience hears the sound of the ocean, waves crashing lightly along the beach. The seas are calm, not stormy. Lights up to find PETER and TONY sitting on a blanket, looking out into the sea. It’s just after sunrise, on a fall day, early October, slightly overcast. The beach is in New Jersey, maybe near Asbury Park. PETER and TONY stand out against the grayness around them.
PETER, thirty-six, is wearing jeans and a hooded sweatshirt, unzipped halfway. He is bare-chested other than the sweatshirt. The jeans are rolled up; his feet are bare and wet. He’s been down to the water’s edge. TONY, thirty-eight, is wearing running shorts, a long-sleeved t-shirt, and running shoes. He’s sweaty, maybe a bit chilly after his run.
There’s a silence between them that is slightly uncomfortable. Something has happened. Finally, PETER speaks.
PETER
Did you get the message that your mom called?
TONY
I did.
PETER
She was concerned. She said you hadn’t called at your usual time on Wednesday.
TONY
I was busy.
PETER
That’s what I told her.
TONY doesn’t respond. He begins to stretch a bit, rubbing his legs to keep them warm.
PETER
Are you cold?
TONY
No.
PETER
Are you sure?
TONY
Yes, I’m sure, Peter. Would you stop nagging?
PETER
I’m not nagging. I’m just making sure you’re ok.
TONY
You’re nagging.
PETER
Fine.
There is silence between the two of them again. PETER zips up his sweatshirt a bit more and hugs his knees to his chest.
PETER
Don’t forget to call your mom back. She’ll think I didn’t give you the message.
TONY
See? That’s what I mean.
PETER
What?
TONY
You’re nagging.
PETER
I’m not nagging, for Christ’s sake. I’m telling you to call your mom back.
TONY
Which you did once already, Peter.
PETER
Yes, and you need more than one reminder, Tony. After eight years there are some things that I know about you.
Again silence. TONY takes off his left shoe and sock and begins to rub his feet.
PETER
How far did you run?
TONY
Not sure.
PETER
Where did you run?
TONY
I left the house and ran down to the pier, then over to the high school, around the track two or three times, and then back to the house. I found your note and then ran here.
PETER
That’s pretty far.
TONY (shrugs)
I guess.
TONY continues to rub his foot and grimaces a bit.
PETER
Did you hurt yourself?
TONY
No.
PETER
Well, what’s wrong?
TONY
Peter?
PETER
OK, OK. Sorry. But at least let me rub it for you.
PETER reaches for TONY’s foot. TONY pulls it away, but PETER is too quick. He catches the foot. A small struggle ensues, but PETER wins. It’s evident in this moment that PETER is actually quite strong. He successfully swings TONY a quarter turn so that his feet are in his lap. He rubs TONY’s bare foot. TONY grimaces again, but eventually leans back on the blanket. He settles down and closes his eyes. PETER looks at him and looks back out to the sea.
PETER
I was afraid you wouldn’t come.
TONY
Peter.
PETER
Well, you didn’t come to bed last night. You left me there alone all night.
TONY
I fell asleep on the couch, Peter.
PETER
That’s happened before but you still come get into bed.
Silence.
PETER
You’re really angry with me.
Silence again.
PETER
Tony?
TONY
I’m angry. Yes.
PETER
I knew it.
TONY
Ahhh. Peter, would you just let it rest for a bit.
PETER
But you’re angry with me.
TONY
And? I’m angry with you. It happens.
PETER
Yeah, and it seems like it’s happening a lot lately.
TONY (trying to pull his feet away, unsuccessfully)
That’s bullshit.
PETER (holding TONY’s feet tightly, not letting him get away)
I don’t think so.
TONY
There’s a lot going on lately.
PETER
So? There’s always a lot going on.
TONY is clearly worn down by this conversation and losing his patience.
TONY
Work is stressful. We’re not making enough with the store. No one needs our services right now. Who has money to redo anything in their house? And you’re telling me that you want to move.
PETER
All of that is true. So why are you angry with me?
TONY
Because you don’t listen to me.
PETER
How do I not listen to you?
TONY
Last week I told you that I didn’t want to move, that we can’t move right now because we don’t have the money. You proceeded to call the realtor anyway and tell him that we wanted to put our house on the market. I get a call at the store yesterday from one of the very few clients that we still have left, and she asks me why we’re moving when we haven’t finished her living room. I tell her I don’t know what she’s talking about, and then she tells me that her friend, the realtor that you called, told her that we were moving to the city.
TONY pulls his feet away, sits up, and begins to put his shoe back on. PETER doesn’t respond. TONY looks at him for answers and PETER doesn’t have any.
PETER
I’m sorry.
TONY
That’s not going to work so well this time, Peter. “Sorry” has worked for so many things in the past, but I need more than “sorry” this time.
PETER
I get it, OK?
TONY
Do you? Really? It doesn’t seem like it.
PETER
So all of this is why you didn’t come to bed last night? Why couldn’t you just tell me that then? Instead you just give me the silent treatment and don’t talk to me and make me think that we’re like ending our relationship or you’re kicking me out or you’re having an affair or—
TONY
Whoa, what? What are you talking about? Either you’re nagging me or you’re making up these crazy scenarios in your head. Why is that? You and I’ve been together for ten years. When are you going to believe me when I tell you I’m not going anywhere?
PETER
But you’re angry with me about all of this, and I’m afraid.
TONY
Afraid of what?
PETER
That it’s a deal breaker.
TONY
Was the broken china a deal breaker?
PETER
No.
TONY
Was the fight with my sister’s husband the first time you met my family a deal breaker?
PETER
Almost.
TONY
Am I standing here now?
Silence
TONY
And what about the twenty-five year old?
PETER
Well, that’s a little different.
TONY
How so?
PETER
You were an active participant in that.
TONY
Yes, but only after YOU made the initial contact and told me. That could’ve been a major deal breaker. You’re just lucky that guy had a nice ass.
PETER
Not as nice as mine.
TONY
I’m just saying.
This is a bit of an icebreaker for them. PETER unzips his sweatshirt, and TONY notices. He reaches out and rubs PETER’s bare chest with his hand, and PETER takes his hand and holds it. PETER looks at TONY.
PETER
I’m just not sure that I can stay in a place where we’re not wanted.
TONY
What do you mean?
PETER
I mean that New Jersey is not the place for us. Or at least for me.
TONY
Oh, c’mon. Is that what this is about? That’s why you want to move?
PETER
Yeah, that’s why I want to move. Why is that so hard for you to understand? Do you want to stay here?
TONY
Of course, I want to stay here. Our lives are here. Your parents, my parents, our siblings, our friends. Not to mention our business. Why should we leave all that behind because of some fat, overweight governor who doesn’t know his ass from a hole in the ground.
PETER
Because it’s not fair, Tony.
TONY
Life isn’t fair, Peter.
PETER
That’s not the response that I need in this conversation. I want you to have some empathy for what I’m feeling here.
TONY
I do have empathy for what you’re feeling. I just don’t want to take that empathy to the point of abandoning everything we’ve worked so hard for just to get out of a state that won’t let us get married.
PETER
Why isn’t marriage important to you?
TONY
We’ve had this discussion so many times and—
PETER
And what?
TONY
And I don’t understand why I have to keep repeating myself.
PETER
Maybe if I believed you, you wouldn’t have to keep telling me.
TONY
What don’t you believe?
PETER
I don’t believe that you can love me like you say you do and not want to marry me.
TONY
What?
PETER
I said I don’t believe that you really love me. If you loved me, you would marry me.
TONY is kind of stunned by this. He gets up from the blanket.
TONY
That’s really what you think? That after all of these years together, all of the sacrifices that we’ve made TOGETHER, that I don’t love you?
PETER doesn’t answer him. He zips up his sweatshirt again.
TONY
Peter, is that really what you think?
PETER
I don’t know what I think.
TONY
Well, you just said that you think I don’t—
PETER
I know what I said.
TONY
Is that what you meant?
Silence.
TONY
I’m giving you a chance to explain yourself here. I thought we were headed in the right direction a couple of minutes ago, but now I’m not so sure.
PETER
Me either.
TONY
What?
PETER
I’m really confused, Tony, OK? I’m really confused. I don’t know what I think. I love you so much. So so much. But—
TONY
But?
PETER
Let me finish. This vetoed marriage bill really made me think about us, about how we have nothing that lets people know we exist as a couple.
TONY
How can you say that? All of the memories that we have, the pictures together? Our families love us together. Plenty of people acknowledge us as a couple.
PETER
But what about strangers? What about hospitals? What about the government? What about—
TONY
Why do those things matter to you? Who cares about those things? Men and women have been together for years without those acknowledgments. Why do you think we need them now?
PETER
We should’ve had them years ago. And I don’t understand why they aren’t important to you.
TONY
Are those acknowledgements by those other “things” more important to you than me?
PETER is silent. He looks out to the sea. The sound of the sea gets a little louder. A seagull squawks above them. Loudly.
TONY
Peter? I asked you a question. Are those acknowledgements more important to you than me? Than our life together for the past ten years?
PETER is silent. TONY is becoming emotional. The sea gets louder. The waves are crashing against the beach.
TONY
Peter? Answer me.
PETER
I don’t know, Tony. I don’t know.
Lights fade out on the two men looking at each other. The waves crash loudly against the beach in the darkness.